Wall-E Review: A Celebration of What Makes Life Worth Living

By now anyone who cares to read a review (and I have plenty of good ones here) knows that Wall-E is a cautionary tale against consumerism, big business, and disregard for the environment. Wall-E is the last of the robots left behind to clean up the earth; a little fellow who does his duty but leaves room to delight in what his curiosity brings to light.

What you may not know is that this is the movie that can also make you anxious about a cockroach's fate (something I surely thought impossible), delight in the indomitable human spirit, and leave you feeling both joy and hope about the future. This is a big accomplishment.

As big an accomplishment is that the movie is largely without human dialogue, aside from the last part of the movie. In the finest tradition of old cartoons such as Road Runner or Bugs Bunny (which the opening short takes us back to in both style and story line), this movie expresses creativity in using sounds and actions to show us exactly how fine an art storytelling can be. We saw the movie with an audience of perhaps 1/3 children (that in itself is an accomplishment for an animated movie under the Disney flag) and never once did we hear anyone plaintively asking, "What is happening?"

Additional creativity is unleashed in the first half of the closing credits where the movie's storyline continues as reflected through the development of art. Not only is it a delight to watch but a clearer underline to the point of mankind's creative spirit could not be made.

Interestingly, this movie blends in images of real people. We only see them via holographs as recordings but they are there to underscore specific important points and to speak to the people in their future.

The movie is full of science fiction references for those who know where to look. Even those who don't like the genre will recognize the reference to 2001's Hal which is used to great effect. Those who know a bit more will recognize some of my favorite references, such as to Aliens in the airlock scene and to a favorite episode of Futurama when they recognize Sigorney Weaver's voice as that of the ship. I know I picked up very few of these references and will be checking out the trivia page at IMDB to find the rest.

There are two criticisms I have seen in reviews that I think are incorrect.

One is that this is a gnostic movie and not a "Christian" movie. Untrue. From time immemorial we have told and loved the story of the humble oddball not following the accepted way ... it is he who shines the light on where everyone else has gotten off track. It is Everyman's story and, ultimately, it holds the seeds of truth to allow us to recognize Christ's story as Truth itself. This story is in that fine tradition of showing what is best in man. Wall-E epitomizes curiosity, creativity, love of art, self-expression, a desire to love and be loved, and self-sacrifice for those he loves in cause of the bigger picture. Christians do not need to have it spelled out more than that. Read the Christianity Today and Catholic Exchange reviews from the link above.

Secondly, I have seen the people in the movie characterized as lazy slobs who only care about consuming more and more. The point, which is made very subtly, is that these people had their lives change little by little until they didn't know there was another way to live. The scenes with John and Mary show this most clearly with the Captain's realizations and the scenes of the babies reinforcing the point. They are not the way they are by choice as they make other choices when the blinders are knocked off and they can see the light of having more than one path.

I also would like to add that, although this movie clearly is against consumerism and big business, it is fair. Big business is shown to try to fix their mistakes. They do a very bad job but they clearly meant it all for the best. They are not shown as evil or plotting. They are simply run by people who lost track of balance. That the people in the movie's past were their victims was through their own choice (here I am applying the message to our own lives as we are meant to).

This movie joins my favorites from Pixar and makes a trinity of good watching which should speak to us as modern men about the choices we make and living thoughtfully: The Incredibles, Ratatouille, and ... now ... Wall-E.

Highly recommended.

Update -- Spoilers!
A commenter made an excellent point that had escaped me entirely and I will quote it here:

... one part I haven't seen commented on was when Eve goes into hibernation (or whatever that was) and Walle takes such good care of her, even though she cannot respond.

It made me think of how we need to take care of the frail among us. The image of Terri Schaivo came immediately to mind.

Wanted - R

Those of you who are fans of the movie Office Space will really appreciate the first part of "Wanted". In establishing how bad Wesley Gibson's life is, his workplace is parodied much like Office Space. His boss is a despicable, mean character... who also carries and uses a red stapler. :) His co-worker and friend is sleeping with his girlfriend. Basically, he feels his life is meaningless and without purpose.

One night, he meets Fox (Angelina Jolie....who. BTW, has waaaay too many tattoos :). She first saves, and then recruits Wesley into a Fraternity of Assassins. It is revealed that he has gifts and abilities he was unaware of; he is then trained as an assassin so that he can avenge the murder of his father, who he had never met (his father left when he was 7 days old). His father, a member of the Fraternity, was murdered by a guy named Cross. The plan is for Wesley to kill Cross.

I found the Fraternity to pretty arrogant and self-righteous. They act like they are doing something noble by deciding who to kill. To me, it was demonstrative of the moral relativism that pervades our society...."it's right if I feel it's right...there is no right and wrong.." They also have this healing bath that stimulates white blood cells and enhances healing. As an aside, one of the members of the Fraternity wore a shirt with a large image of Our Lady of Guadalupe.


There are a couple of surprises, such as the truth of his father's fate, and why Wesley was recruited.

There is also plenty of action and some really cool stunts.


Content Warnings: There are a couple of brief, but graphic sex scenes with his friend and girlfriend.
The "F-Bomb" is dropped quite often.
There are pretty graphic scenes where people are killed...and you see a close-up of the bullet entering/exiting the victim.

cross-posted on A Catholic View

http://www.wantedmovie.com/

Wall-E Reviews Describe an Extraordinary Movie

I have eagerly been reading the beginning and ending of WALL-E reviews ... I really don't want to know more than the trailers have told me. I am printing these out and looking forward to reading the middles after I have seen the movie. By the way, Jeffrey Overstreet warns us that Roger Ebert's review gives a giant spoiler right in the middle with no warning. Bad critic!

I don't usually do this with more than one or two trusted sources but everything I've read so far makes me think that this is going to be something extraordinary on many levels, hope filled, reflecting the truth of our human condition ... here are some snippets in case you are similarly curious.

Rod Bennett at Catholic Exchange
Via The Curt Jester in an earlier post on this site.

Pixar Animation Studio was founded in the 1980s by media moguls George Lucas and Steve Jobs, but whether they knew it or not, the guys who made their latest film release WALL*E (in theatres tomorrow) were working for God. So says this reviewer, anyway.

It’s not heresy. Catholics have been saying since at least the 2nd Century that God sometimes uses secular voices to speak to the world, especially when it comes to unreached peoples or neglected truths. Writing about the poets and mythmakers of ancient Greece, St. Justin Martyr put it this way, c. 155 AD: “Even unwillingly, these men were on your account forced to say many things by God’s compassion for mankind…For all these writers were able to see realities darkly through the sowing of the implanted word that was in them.” Well, storytelling techniques have certainly come a long way since the days of Pindar and Sophocles — WALL*E pushes the high-tech art of computer generated graphics to hitherto undreamed of heights — but God’s willingness to communicate vital realities via the mediums of myth and fable has apparently continued unabated. WALL*E (directed by Finding Nemo’s Andrew Stanton) is funny, touching, beautiful, clever, and wildly entertaining — but it may also be the most powerful warning against consumerism, idolatry, and addiction to luxury ever to be offered in a mainstream film. ...

Christianity Today

This is science fiction the way science fiction is meant to be. It creates a world that's clearly not our own, but it's totally believable as the place we're headed, maybe a hundred years down the line. But it's not cynical or misanthropic; like the best sci-fi, it uses these imaginative conceits to ask big questions about our world and our humanity. It's a movie about love amidst chaos, about the dangers of unchecked greed and the forces that overcome it. ...

And it is absolutely not a political movie, no matter how hard a small faction of political bloggers might try to pin it as one. Yes, it has a message about the environment—take care of it. And yes, it has a message about capitalism—too much of it can be sinful. These aren't political points; they're very basic moral ones, and no rational Christian has any grounds on which to object to them.

But even more than a great work of sci-fi, this is a great work of cinema. WALL•E is Pixar's boldest, bravest film yet, opening with half an hour in which no dialogue occurs. Much of the story is told, then, only through images, and in this regard, it's the most sophisticated and subtle film Pixar has yet made. ...

And yet, the greatest feat of WALL•E—its most seemingly-impossible achievement—might be this: Despite the fact that it's hard science fiction, that it paints a dystopian picture of our future, that it's subtle and sophisticated, and that it's very light on dialogue, it's every bit the crowd-pleaser that we've come to expect from this studio—funny, romantic, imaginative, and utterly gripping. This is Pixar's magic. ...

Jeffrey Overstreet's interview with Andrew Stanton
In addition to Stanton's insights, he has links to many reviews that make fascinating points such as this tidbit from Moises Chiullan.

The movie is more fundamentally about what it is to exist and believe in hope. Every science fiction film with a desolate Earth as a backdrop does not make that its main focus, and neither does WALL*E. I’ve let WALL*E roll around in my head for around a week and a half since seeing it, and I can’t shake it (a good thing). It would be one thing if I were exploding with praise the day after seeing it, but the fact that it’s still as captivating almost two weeks later, to me, means the movie has to be the real deal. This movie falls under the Important Cinema banner regardless of what piece of its narrative you fall in love with. This really could be one of the movies people will still argue about in 25, 50, or 100 years.

First Showing's Review: The First Perfect Movie of 2008

Movies have the ability to make us feel every possible emotion. There are times we cry, times we laugh, times we love and times that we are scared out of our wits. With all the different feelings that I experience during the many films I watch, it wasn't until after seeing Wall-E that I realized there is one emotion that movies so rarely make me feel. The emotion that I'm talking about is joy. To be honest, Wall-E has so consumed my thoughts that I can't even bring another movie to mind that has made me feel the pure joy that I felt during or after seeing Pixar's Wall-E. ...

Pixar's Catholic Masterpiece

Rod Bennett reviews WALL*E

Catholic group slams Love Guru

An American Catholic group has found the new Mike Myers comedy The Love Guru to be "morally offensive".

The United States Conference of Catholic Bishops has also criticised the film to be "vulgar and tasteless".

cross-posted on A Catholic View

story here

Jimmy Akin: It's a good year for family films

Read his post here.

Remembering George Carlin

I first noticed George Carlin back in high school in the late 1960's-early 1970's. He was the "Hippy Dippy Weatherman," the "Stupid Disc Jockey," and the cousin of one of my classmates. Of course I didn't hear his routine about "The 7 Words You Can't Say on Television" until much later, when I was an adult and married and we had HBO. I remember thinking it was raunchy and outrageous and funny.

Then there was his routine about "Stuff." Hubs and I had just bought our first house and were in the process of consolidating our old "Stuff" and accumulating new "Stuff" (a process which hasn't stopped). His routine about the differences between baseball and football was dead on, even though I'm more of a football fan, myself. I loved the way he "ran home."

I'm not surprised to hear that he had issues with the Catholic Church. Most comedians of his era had problems with authority of any stripe and, of course, God is the Ultimate Authority. I was a bit surprised to hear he'd been married only twice--his first wife died of cancer. So however misanthropic and nihilistic his public persona was, he must have been different in private. I think some of that private persona came through in Jersey Girl, where he plays the gruff-but-loving father and grandfather. (I found it interesting that the granddaughter goes to Catholic School, although the family is never seen going to Mass.)

As for Carlin's anti-Catholicism... Personally, I thought his turn as the cardinal in Dogma was funny. The cardinal is trying to re-market the Catholic Church by introducing "The Buddy Jesus" and making the Church "hipper" and "more relevant." His character reminded me a lot of the early-post Vatican II days, exaggerated for comedic effect. And Carlin played it, I thought, like someone who had been raised in the Church, who knew about the dashboard Jesus and St. Christopher medals and who wanted to skewer that kind of obsession with symbols. Was it more vicious than that? Possibly. But I hadn't seen any of Carlin's recent stand-up routines or interviews, so I don't know.

In fact, I haven't kept up with George Carlin in recent years. He was not a comedian I sought out, whose routines I listened to regularly. Until I read the tributes to him, I didn't realize he was still doing stand-up and that so much of it was angry. But he was part the milieu of my adolescence--his death is another reminder that I'm getting old.

R.I.P, George.

crossposted at The Mad Tea Party

Book Review: The Secret Life of Bees/The Mermaid Chair

ue Monk Kidd has a way with words, evoking scenes and smells, drawing idiosyncratic characters who seem perfectly plausible. Her writing style reminds me a lot of Pat Conroy's--if she's not a native Southerner, she's one who loves it all, the people, the land, the food.

The Secret Life of Bees is her debut novel. The main character is Lily Owen, whose life has been defined by the death of her mother. Lily was four when she accidentally shot her mother who was having an argument with her husband, Lily's father. Lily's father, whom she calls T. Ray, seems indifferent to Lily, leaving her in the care of Rosaleen, a black woman he's pulled out of his peach orchard.

Lily has found a box containing a few items that belonged to her mother. One is a picture of a Black Madonna, with the words "Tiburon, South Carolina" written on the back. When Rosaleen runs into trouble on the way to register to vote (it's 1964), Lily springs her from the hospital and they run away and they head to Tiburon. On her way in to town, she finds the Black Madonna--it's a label on a jar of honey, made by a local beekeeper, August. August (who is also black) lives with her two younger sisters, June and May. She lies her way into staying with the sisters, learning about bees and "The Daughters of Mary," the religion the sisters practice revolving around the Virgin Mary. Coincidentally, Lily also receives the mothering she needs and Rosaleen finds a place for herself as well.

Of course, the idyll cannot last. Lily is a white girl living in a black household and her father has no idea where she is. The situation comes to a head and Lily learns about her mother, her father, and herself.

Unfortunately, the ending is implausible and a disappointment. (Interestingly, DD#1 had the same reaction, but phrased it much more elegantly: "Ms. Kidd is a good writer but not much of a storyteller.) I enjoyed the book in kind of a lazy, laid-back way. It's a good summer read: pleasurable, but not enthralling.

The Mermaid Chair is another novel. Also set in South Carolina. This novel has more overtly Catholic themes, involving a saints, monks, and women. Jessie has been married to Hugh for 20 years. Their daughter, Dee, is off to college. Jessie is feeling restless, but doesn't know why. She has learned to live in "the smallest space possible." Then she gets word that her mother has chopped off her right index finger. Jessie returns home to Egret Island, to her mother and her mother's best friends, Kat and Hepzibah. And to the Monastery of St. Senara, home of the Mermaid Chair.

And home to Brother Thomas, who, in his previous life, was an environmental lawyer, happily married and expecting his first child, when his wife and their unborn child were killed in a car accident. Father Sebastian, the monastery prior, suspects that Brother Thomas is running away from life. Father Dominic has written the story of the Mermaid Chair which Kat sells to tourists in her store, The Mermaid's Tale.

Because the island is small, all the characters are intertwined. Brother Thomas and Jessie feel a strong attraction, a deep connection. And the island itself--its heat, its mud, its tides--is as much a character as the people involved.

Again, though, lyrical writing but weak story, especially the ending. Both The Mermaid Chair and The Secret Life of Bees have a lot of detail about Catholic traditions, but apparently Ms. Kidd was a Southern Baptist. Before writing novels, she was known for her writing about spiritual matters, including her journey to the "sacred feminine." Her novels reflect her world view.

On the March Hare scale: 3 out of 5 Golden Bookmarks overall. Fine summer reading, not too mentally challenging, but not enough of a guilty pleasure either.

crossposted at The Mad Tea Party

Lars and the Real Girl Review: A Man, His Doll, and Responsibility

Lars: I was talking to Bianca, and she was saying that in her culture they have these rites of passages and rituals and ceremonies, and, just all kinds of things that, when you do them, go through them, let you know that you're an adult? Doesn't that sound great?

Gus: It does.

Lars: How'd you know?

Gus: How'd I know what?

Lars: That you were a man

[...]

Gus: Okay, you know I can only give you my opinion.

Lars: That's what we want.

Gus: Well, it's not like you're one thing or the other, okay? There's still a kid inside but you grow up when you decide to do right, okay, and not what's right for you, what's right for everybody, even when it hurts.

Lars: Okay, like what?

Gus: Like, you know, like, you don't jerk people around, you know, and you don't cheat on your woman, and you take care of your family, you know, and you admit when you're wrong, or you try to, anyways. That's all I can think of, you know -- it sounds like it's easy and for some reason it's not.

Lars and the Real Girl

You wouldn't think that a movie about a man and a life-size, anatomically correct sex doll would be described as charming, heart-warming, and delightful but Lars and the Real Girl pulls it off.

Lars suffers from crippling shyness and an extreme desire to be alone, to the extent that even enduring dinner with his brother and sister-in-law is a severe trial to all concerned. Six weeks after his cubicle-mate shows him a life-size sex doll, Lars' new girlfriend "Bianca" shows up and is treated as real, to the natural alarm of his family. The town doctor advises that sometimes such severely dysfunctional behavior is a way to work through problems and tells them that they should also treat Bianca as real. She then prescribes a weekly series of "treatments" for Bianca's "low blood pressure" which give her the needed excuse to talk with Lars and try to help him work out his problems. For those worried about the fact that Bianca's original manufacture was for unnatural purposes, Lars' faith is very important to him, and therefore to Bianca, who is given a spare bedroom at his brother's house.

Naturally, what emerges is bordering on the edge of fantasy, just as does The Castle, another small film that takes a fantastic premise and uses it to show us a bigger picture. In the case of The Castle it is the strength of family love. In the case of Lars and the Real Girl, it is exemplified in the exchange excerpted above between Lars and his brother. Gus must come to terms with how his past choices have affected Lars and take responsibility. Lars uses Bianca not only as a shield from the world which terrifies him but also as a way to gain experience and strength in order to become an adult, ready to take on responsibility. This transition is shown in small fits and starts that give the actors a chance to show their talents as many of them are not spelled out and must be inferred from glances or other small

Additionally, we are shown how various townspeople care enough for Lars to take on the fiction of Bianca's reality in order to help him. This gives them a chance to indulge in an opportunity to play as Bianca eventually takes on a life of her own in a way that is both humorous and charming.

This is an understated movie and the reflections on these themes are not deep but they are heart-felt. For those willing to let go and also play along this movie has big rewards.

Rated PG-13 for some sex-related content, which is fairly minimal and due to the fact that Bianca is a sex doll which leads to far less joking around than you would expect and in much better taste.

Highly recommended.

George Carlin R.I.P.

If you pay attention to the news, you already know George Carlin died yesterday at the age of 71. If you've been paying attention to his words over the past few decades, you know he was relentless in his attacks on the Catholic church and Christianity in general. His mockery of the Christian faith was a main theme of his stand-up routines, movies and books.

He was obviously hateful to Christians, a man who said his dream role would be to play "a priest who strangles children" was a hateful man. It is understandable that many Christians won't lose any sleep over his passing. For those who are quick to focus on his spite and say "good riddance", I want to ask you to take some time out this evening and pray for the man. Despite the hurtful things he's done and said over the years, he is now reaping the fruits of his labor. He was someone who knew God and rejected him, we should not feel relief or anger at the man, but deep sorrow for a soul that probably didn't see salvation.