Sunday, May 18, 2008

"Prince Caspian": Leticia's review

Prince Caspian: Resident of a Darkened World
PG 2 hours 20 minutes
The four Pevensie children found everyday life in London tiresome following the high adventure of defeating the White Witch and establishing the Golden Age of the Kingdom of Narnia with the help of Aslan(voice by Liam Neeson), the lion. Their reign in peaceful Narnia had come to an abrupt end as they re-entered the wardrobe and tumbled back into wartime England of the 1940’s. Peter (William Moseley), once High King Peter the Magnificent, especially, seems to be in constant conflict with his schoolmates. The four long for the land where they spent so many happy years, when, in of all places the London Underground, they feel themselves pulled back into Narnia. A beach of unearthly beauty appears in front of them and at first they were overwhelmed with joy and release at being back in their true home.
But this wasn’t the Narnia they remembered; no longer did the water sing, the trees dance and the animals speak. There was a savagery and oppression in Narnia, and soon the children discovered the secret; they had returned to Narnia centuries after their reign and their beloved homeland is in dire need of their help. Prince Caspian(Ben Barnes), the heir to the throne of Telmar, a fugitive from his uncle King Miraz(Sergio Castellitto) who wanted the throne for his newborn son, had summoned the Pevensie children with Susan’s magic horn.
In the dark kingdom of Telmar on the other side of the river, the inhabitants had long considered the story of Aslan’s salvation of Narnia, and the brave deeds of its Kings and Queens, fairy tales for children and the simple-minded. Prince Caspian whose parents were dead, was forbidden by King Miraz to learn of such things, yet his wise and gentle Professor (Vincent Grass) had secretly told him the truth. The young Prince hardly dared believe in such nobility, living as he did in a kingdom of darkness, ruled by his uncle, a violent usurper to the throne.
Prince Caspian and King Peter form an alliance which is fraught with tension, caused by Caspian’s’ desire for revenge, and Peter’s pride. Lucy(Georgie Henley), however, has seen Aslan who wants to lead them. Would the proud and impetuous princes heed the faith of a child?
“Prince Caspian” was written by CS Lewis in 1951, as Europe, recoiling from the savagery of World War II, was dismayed to find the nations liberated by the Allies from Nazis under a new oppressor; the Soviet Communists. The Cold War snuffed the glow of the Allied victory and overshadowed the ensuing decades with the specter of international nuclear war. Lewis, who died in 1967, never lived to see the break up of the Soviet Empire, and one wonders if, by using the name ‘Caspian’, he meant to evoke the Caspian Sea, which borders Russia, and the rejection and oppression of religious belief in Telmar, the atheistic dogmatism of Communism. Director/Producer/Screenwriter Andrew Adamson seemed to imply this by having the swarthy Telmarines speak with Eastern European accents, and cloaking their Kingdom in darkness, suggesting an evil empire. Telmarine-oppressed Narnia, though brighter than Telmar, reflects little of its former glory, even the animals are no longer civilized. As Narnian Trumpkin (Peter Dinklage) explains the change, “If you are treated like a dumb animal, that is what you become”.
Prince Caspian speaks powerfully of bravery, self-sacrifice, and the importance of remembering one’s cultural heritage as a means of comprehending the present. Pride is seen as a vice, which forgets faith, yet violence itself is not eschewed, as Caspian and the Pevensies defend the rights of the oppressed. The heroes of Narnia are no lambs, after all they are led by a lion.
Spectacular natural scenery seen in powerful aerial shots combined by the familiar lyrical musical themes from “The Lion, the Witch and the Wardrobe”, effectively transport the audience into another world. A teenage girl who attended the movie with me, said, “it’s depressing to come out of this movie because you have to leave Narnia and face reality”. Like the Pevensie children, you find that the longing for Narnia remains a part of you.
Recommended for children ten and up. Some frightening though unbloody battle scenes, a noisy though non-graphic birth scene, one kiss on the mouth, and a disturbing scene of delving into the occult may frighten younger children.
12/2008 UPDATE: I had an opportunity to interview William Mosely the actor who played Peter Pevensie, last month, in Hollywood. He's taking a photography course in London, and snapped the photo in the blog header out the hotel window after I commented on what a great theme it would create for CMR.

Saturday, May 17, 2008

Monsignor Barr has another review of Prince Caspian

On the moral lessons to be gleaned from Prince Caspian over at his blog Anamchara .
He gives Prince Caspian his highest rating; five grails!

Friday, May 16, 2008

Henry Poole is Here: I Really, Want This to Be a Good Movie



Not only does this have an interesting premise ...
HENRY POOLE is HERE is a comedic drama about a disillusioned man who goes hiding in placid suburbia only to discover he cannot escape the forces of hope. Returning to the middleclass neighborhood where he grew up, Henry chooses to live in indulgent isolation. Real life, however, refuses to cooperate with his plans. Nosy neighbors interrupt him with curious visits and prying questions. Then the situation escalates as a stain on Henry's stucco wall is seen to have miraculous powers. His last-ditch hideout becomes a shrine; his backyard turns into an arena for passionate debate about faith and destiny. Seeking anonymous oblivion, cynical Henry Poole instead finds himself right at the center of the human comedy. ...
... but it also has Luke Wilson who I always find endearing. Plus I love the song that they use in the trailer.

Much thanks to Corby for sending me the link to this trailer. You're right ... it is well worth blogging about.

An Interesting Commentary on the Prince Caspian Adaptation

Lars at Brandywine Books points out a major flaw he noticed in the adaptation of Prince Caspian for the movie world ... and why it matters.

[...] What set me off was a statement that director Andrew Adamson decided to make Susan Pevensey a warrior in the battle (in the film), though Lewis had made it a point to keep her out of it (in the book).

The more I think about this, the more it bothers me. I understand that I’m touchy and obsessive on the subject, but there are times when madmen (like me) can see the truth that sane people can’t, because we look where nobody else is looking. If it’s true that the truths that are most important to defend in any age are precisely those that are most despised, then madmen are sometimes the bloodhounds who smell out what the truth-hunters don’t see.

The decision to kick aside a plot point that mattered to Lewis, just because it’s unfashionable, is not a minor matter (or so it seems to me). In this situation it’s a declaration that there is no special calling for a man to be warrior and protector in the world. Nobody seems to see this, but to me it’s obvious—such a view has dangerous, catastrophic consequences, not only for boys and men but for society as a whole. It’s an assertion (one at which Lewis would have snorted in contempt) that there is no essential difference between men and women; that there are only interchangeable hominid units. [...]
Read it all here.

Thursday, May 15, 2008

"Boston Legal" takes shots at the the Catholic Church

cross-post from A Catholic View

Catholic League president Bill Donohue comments today on last night’s episode of the ABC program, “Boston Legal”:

“There is no one in Hollywood more fascinated—and angry—about the Catholic Church than ‘Boston Legal’ creator David E. Kelley. That was obvious with his show "The Practice" also. Last night he shared with us once again his wish list. The episode focused on the plight of yet another terribly oppressed woman. The source of her oppression, of course, is the Catholic Church. She wants to become a priest, but she refuses to walk down the block to join the Episcopal church. So she realizes Kelley’s dream by evincing a hatred for diversity and tolerance: she sues the Church for discrimination.

“Orthodox Judaism, Mormonism, Islam and Orthodox Christianity merit honorable mention in the show (they have the same clergy strictures), but they don’t really count: it is the big bad Catholic Church that Kelley wants to knife. For example, in the courtroom lies are told about the Catholic Church’s alleged support for slavery, the execution of witches and the Inquisition. [Note: It was the Catholic Church—not any other religion—which first opposed slavery, and it was St. Patrick who was the first public person in history to fight against it; and for the most part, it was the civil authorities, not the Church, who punished witches and were responsible for the Inquisition.] In the end, Kelley’s biggest fantasy is realized—the Catholic Church’s tax-exempt status is revoked. Oh, yes, Kelley also speaks vicariously about sodomy: it should not be a sin. Let's leave that to the Pope, okay?

“In the real world, now that imperial judges in California have overturned the express will of the people by allowing Sam to marry Steve (they have not ruled on whether Sidney can make it a trifecta), Kelley must be gushing. But it won’t last: he’ll get another reality check in November.”

story here

Monday, May 12, 2008

The making of 50 Reasons to Pray the Rosary

A group of 50 high school friends in Madrid organized themselves to "give back to the Church who has given so much to us", by saying why they pray the rosary in this month of Mary.This video, seen more than 150,000 times on YouTube, has become the most viewed video in Spain. Increible!So much for the death of the Church in Spain.
Read the entire article here in Spanish. If anyone finds it in English, kindly let me know.
HT Air Maria

50 Reasons to Pray the Rosary

Iron Man ... the Catholic Batman?

Or so Enbrethiliel's pal points out ...
"I guess I was never interested," my friend continued," because he has no innate superpowers. I read a description of him somewhere that fits perfectly: the Catholic Batman. I mean, like Bruce Wayne, he just built everyth--"

I practically knocked Skairuz's glass over in my excitement. "The Catholic Batman??? Why? How? Speak!"

"Well . . . his motivation to fight crime is based on his discovery of how his past actions have caused others, including innocents, to suffer. He's trying to atone for his sins, do penance, as it were."

As you can see, Skairuz got the best out of fifteen years of Jesuit education. ...
She's not alone. Well, The American Culture doesn't go so far as to call Iron Man a Catholic Batman, but it does a very nice piece on the redemptive quality of the movie and concludes:
It's no surprise that Iron Man benefits from impressive special effects and action sequences, but it is somewhat surprisng and pleasing that it has some truly serious ideas and characterizations and explores them with sincerity, wit, and sophistication.
Decent Films concurs:
... Here is a popcorn movie with a will to entertain, at turns evoking James Bond, Batman Begins and Transformers; if it’s not in the same league as Batman Begins, it’s better (and shorter) than Transformers, with a redemptive angle foreign to James Bond.

Directed by Jon Favreau (Zathura), Iron Man is a rare superhero origin story that is also a conversion story. ...
I have been trying not to read reviews because I really want to see this in the movies and not know every turn of the plot. However, even a cursory scan of these reviews shows that this is a superhero movie with a lot of heart. Do go read them all for a good look behind the standard superhero story.

Oh, and to answer Enbrethiliel's question ...
Is there anything more embarrassing than having Barb Nicolosi beat me to posting about a superhero movie?
No, no there isn't. As I can say from experience right now.

Review of Opening the Scriptures: A series that lives up to its name

Bringing the Gospel of Matthew to Life:
Insight and Inspiration
(Opening the Scriptures series)
by George Martin
"Were not our hearts burning [within us] while he spoke to us on the way and opened the scriptures to us?"
Luke 24:32
"Bringing the Gospel of Matthew to Life" is a commentary that made the above verse from Luke occur to me again and again. George Martin has given us a thorough and fascinating yet highly accessible scriptural commentary that truly does let us see the Gospel of Matthew with new eyes.

The structure of the book follows this outline as Matthew is covered, section by section:
  • An orientation, if needed, of the scriptural passage.

  • The scriptural passage in its entirety

  • Listing of Gospel parallels, Old Testament related passages, and New Testament related passages

  • Verse-by-verse explanation of the text. Occasionally this is a phrase-by-phrase explanation when necessary for clarity. The Gospel phrase or verse is always bolded within these so that one can see easily what is being explicated. The explanation will often reflect a connection to the present day life in the Church. If an explanation has not been agreed upon by scholars, Martin may offer his own possible explanation or clarification but this is always within Church teachings.

    • Full quotations of related Old Testament passages within the explanations when they are necessary
    • Cross-references to Old and New Testament passages that are related to each explanation
    • Listing and page numbers of related background information that might be in other sections

  • Reflection questions that provide opportunities to relate the scripture to one's own life

  • Boxed-in background information which provides contextual information on such varied subjects as farming life in Palestine, the meaning that the word messiah had for Jews at the time of Jesus, how cosmic signs were interpreted, and what the roles of servants and slaves were in that time.
Over the years I have used many scriptural commentaries, some Catholic and some Protestant. Each has their advantages but this is the first I have encountered that has gripped me with such interest that I read it to the exclusion of all else. After perusing so many commentaries, I thought that I had a grasp of the basic considerations for many of the most commonly quoted gospel passages. Although Martin definitely covers what I already might have known from other sources, he does so with many citations to Old Testament passages that other sources have not necessarily included. As well, he is continually surprising me with a consideration that I had not thought of before. It may be a subtle point but is usually a telling one and has given me much food for thought already. I am positive that Tom already is tired of me piping up with, "Hey, listen to this!" after only reading 80 pages so far. For example:
[The Homage of the Magi
1 When Jesus was born in Bethlehem of Judea, in the days of King Herod, behold, a magi from the east arrived in Jerusalem, 2 saying, "Where is the newborn king of the Jews? We saw his star at its rising and have come to do him homage." ...]

2 The magi come to Jerusalem saying, "Where is the newborn king of the Jews? We saw his star at its rising and have come to do him homage." They observe a star at its rising--at its first appearance in the sky. What might they have seen (a supernova? a conjunction of planets? a comet?) is a matter of conjecture, but Matthew's concern is the significance of what the magi saw, not its nature. The magi interpret the rising of the star as signaling the birth of a king of the Jews. There was ancient belief that heavenly signs marked the birth of great men. Some Jews applied the Scripture passage, "A star shall advance from Jacob" (Num 24:17), to the coming of the Messiah, and the magi may have known of this. The magi come to Jerusalem and ask about the newborn king of the Jews so that they may do him homage. The star alerted them to his birth, but Matthew does not portray it guiding them on their journey. The magi simply come to the Jewish capital city -- Jerusalem -- looking for its newborn king.
This may seem obvious to everyone else but it simply never occurred to me that the star was what began the magi on their journey but that they simply had to apply their own logic after that in going to Jerusalem since that would be a good place to begin looking for the king of the Jews. Later in the commentary, Martin points out that Herod hears about the magi, calls the priests and scribes to him to ask where the messiah was to be born, and then calls the magi to tell them to look in Bethlehem. Now, he is doing all this for his own reasons, which we know through hindsight are nefarious. I had never caught that sequence of events so clearly ... that Herod ascertained the location and then summoned the magi. I just never read the text that clearly.

Then Martin sums it up for us in another connection that I'd never made, and couldn't have made without having the previous sequence pointed out to me.
9 After their audience with the king they set out. The magi begin their quest for Jesus because of a star, a revelation through nature. (Paul writes that God reveals himself through his creation: Rom 1:19-20.) Natural revelation goes only so far: it leads the magi to Jerusalem, but not yet to Jesus. God's revelation through nature must be completed by God's revelation to his people and through their writings, the Scriptures. The prophet Micah [quoted to Herod by the scribes and Pharisees] provided the link that leads the magi on their next step toward Jesus. ...
Could you hear my mind blowing? That made such sense, clicked into place so perfectly, yet I had never come across that before.

It is not a slender book, clocking in at 668 pages, however not one page has been wasted. As you can see from above, the care which Martin gives to the commentary requires length in order to be easily understood. His thoroughness also can be appreciated when one considers that the selected bibliography contains 89 books. This book also has both a Nihil Obstat and Imprimatur which are like a Catholic Church seal of approval on the accuracy with which the facts reflect Church teachings.

Word Among Us and George Martin are to be lauded for this series which I hope will continue at least through the Acts of the Apostles. I especially appreciate having relevant Old Testament passages quoted in their entirety so that the flow is not interrupted while I dash to the Bible to see the related text. Let's face it, few of us go to the actual trouble of doing that, although we should, so this is doubly welcome. As well, I like having the background information reference given wherever it might come up as a question. It is wonderful not having to thumb to end notes or search the index to find extra information.

It is still true that no one commentary covers every aspect of scriptural commentary. Others have a more specific focus on Church fathers or archaeology for example. I will still be using them. However, this is probably the most complete I have come across yet and will be the one I recommend for anyone who is interested in really learning what scripture can show us when we take the time to read through it slowly, with attention, and with prayer.

Word Among Us also generously sent Bringing the Gospel of Mark to Life, mentioning that they had heard some comments that the books were "too scholarly" and this concerned them as the books are specifically meant to be easily accessible to any level of knowledge from beginner to scholar. After reading some from both books, the only explanation I can imagine for those comments are that perhaps the purchasers expected the commentary to be similar to that of Word Among Us devotional magazine. You can see, by clicking through on the link, that the commentary in that publication is entirely personal and designed for reflection on relationship. Martin's commentary, although based on explaining the scripture verses, is no less accessible and no less suited for personal reflection. In fact, in the introduction he says that his "fondest wish" is that readers will be able to use these books for lectio divina (sacred reading) and prayer. I believe this is an entirely valid use and, in fact, am planning on this use myself.

I do have one criticism. The scripture passages from Matthew quoted in their entirety at the beginning of each discussion need to be visually delineated more clearly. Currently these sections simply blend into the overall pages which makes it very difficult to pick out where a section begins or ends. As I begin each chapter, I have been using a red pencil to box in the scripture. This has made a big difference in helping to organize the page visually, for me at any rate. Certainly it makes each chapter less intimidating when one can leaf through and see the many "sections" into which it is actually divided. Although this quibble would seem minor, I hope that the publishers of future editions would consider it.

Highly recommended.

I will be including nuggets on this blog as I continue reading through Matthew. For those who wish to begin with Mark, I leave you with this background information which, again, blew my mind, as I hadn't ever considered what he says about John the Baptist. I also appreciate the fact that Martin spends almost as much time reminding us not to read into Mark what we know from other sources as he does in other commentary. This section also gives an excellent example of Martin's extension of his commentary to an idea for our personal reflections.
COMMENT: TO READ MARK We will be most sensitive to the message Mark wishes to proclaim in his gospel if we read it as a Gospel in itself. We bring a great deal of knowledge to our reading of Mark, including what the Gospel of John tells us about John the Baptist. In the fourth Gospel, the Baptist recognizes and proclaims Jesus as the one who comes after him (John 1:26-34). In arriving at a final assessment of John the Baptist, we need to take into account all that is said about him in all four Gospels. But reading Mark's Gospel for the message it proclaims is a different matter. To do so we need to pay attention to what Mark says--and doesn't say-- and not automatically import information into Mark's Gospel from the other Gospels.

There is a second, related requirement. In reading Mark's Gospel we need to distinguish between what we know because Mark tells us and what the characters in Mark's Gospel know or do not know. Mark has told us that John the Baptist is the one sent to prepare the way for Jesus (1:1-3). But John the Baptist has not read Mark's Gospel and might not know what we know. Mark has told us from the very beginning that Jesus is the Christ (1:1), but those Jesus meets in the course of his ministry will be slow to recognize who Jesus is.

If John did not recognize Jesus, what does that tell us about the Baptist's call? Perhaps it tells us that God asked John to play a particular role but did not inform him of the full implications of his role. Something similar may well be true for many of us. We have been given certain responsibilities by God, perhaps even a clearly defined mission in life. But we may be in the dark about the ultimate outcome of our actions. We know what to do but not what it will accomplish in God's perspective.

Real-Life Skull Worship Inspires New Indiana Jones Movie

I've been looking forward to the new Indiana Jones movie. I did not know that it is based on real beliefs of the Mayans.

There is a legend that the ancient Maya possessed 13 crystal skulls which, when united, hold the power of saving the Earth--a tale so strange and fantastic that it inspired the latest Indiana Jones movie.

Experts dismiss the hundreds of existing crystal skulls as fakes that were probably made by colorful antiquities traders in the 19th century. But Mayan priests worship the skulls, even today, and real-life skull hunters still search for them.

The true story of the skulls stretches over continents and hundreds of years, and may be even more extraordinary than the tale portrayed in this fourth installment of the Harrison Ford franchise.

It's unclear what version of the tale will appear in "Indiana Jones and the Kingdom of the Crystal Skulls," which opens in U.S. theaters on May 22. The plot apparently revolves around a race against the Soviets to find the skulls.

Distributor Paramount Pictures refused requests for interviews or information on the film, the first Indiana Jones movie since "The Last Crusade" came out in 1989.

cross-posted on A Catholic View

story here